PDF: http://izv-oifn.ru/articles/79/public/79-392-1-PB.pdf
Absract: The article is devoted to the famous English actor David Garrick, his new manner of acting, his stay in Paris and his acquaintance with the French authors, especially Diderot, who cited his example many times in his “Paradoxe sur le comédien”.
Keywords: SENSIBILITY, PASSION, MANNER OF ACTING, NATURALNESS, VERISIMILITUDE, IMPERSONATION
Pages: 54-59
Author: E. P. Zykova

References

1. Didro Deni. Paradoks ob aktere//Didro Deni. Estetika i literaturnaya kritika. M., Khudozhestvennaya literatura, 1980, s. 538-591. Vstup. stat'ya V. Bakhmutskogo, kommentarii E. Saprykinoy. 2. Benedetti, Jean. David Garrick and the birth of modern theatre. Methuen, 2001. 3. Davies, Thomas. Memoirs of the life of David Garrick, Esq., interspersed with characters and anecdotes of his contemporaries, the whole forming a history of the stage which includes a period of thirty six years. London, 1780. 4. Murthy, Arthur. The life of David Garrick, Esq. Dublin, 1801. 5. Garrick, David. The Plays of David Garrick. A complete collection of social satire, French adaptations, pantomimes, Christmas and musical plays, preludes, interludes, and burlesques, to which are added the alterations and adaptations of the plays of Shakespeare and other dramatists from the sixteenth to the eighteenth centuries. Edited with commentary and notes by Harry William Pedicord and Frederick Louis Bergmann. Vol. 1-2. Southern Illinois University Press, 1980. 6. Cumberland, Richard. Memoirs. Vol. 1-2. L., 1806-1807. 7. Garrick, David. The Letters. Vol. 1-4. Cambridge (Mass.), 1963. 8. Hedgcock, Frank Arthur. A cosmopolitan actor: David Garrick and his French friends. New York, [1912]. 9. Private Correspondence of David Garrick, ed. James Boaden, 1831-1832, Vol. I-II.