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Absract: By analyzing the work of Gorky — from the early stories to the Life of Klim Samgin — one may infer that the writer kept transforming genres in line with artistic experiments of the Silver-Age authors.
Keywords: Gorky, work, genre transformation, synthesis
DOI: 10.31857/S241377150005408-1
Pages: 14-23
Author: Lidiya Spiridonova
Information about the author: Professor, Head of the Department of Study and Publication of M. Gorky. Affiliation: A.M. Gorky Institute of World Literature of the RAS Address: Moscow, 25a Povarskaya St., Moscow, 121069, Russia

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3. Tomashevskij, B.V. Teorija literatury. Poetika [Theory of Literature. Poetics]. Moscow, 1996. 334 с. (In Russ.)

4. Gorky, M. Polnoje sobranije sochinenij. Khudozhestvennyje proizvedenija v 25 t. [Complete works. Artwork in 25 Vols.]. Moscow, Nauka Publ., 1968–1976. (In Russ.)

5. Gorky, M. Polnoje sobranije sochinenij. Pis’ma v 24 t. [Complete works. Letters in 24 Vols.]. Vol. 5: 1905–1906. Moscow, Nauka Publ., 1999. 575 p. (In Russ.)

6. Averincev, S.S. Zhanr kak abstrakcija i zhanry kak realnost’: dialektika zamknutosti i razomknutisti [Genre as Abstraction and Genres as Reality: Dialectics of Isolation and Open-mindedness]. Averincev, S.S. Ritorika i istoki evropejskoj literaturnoj tradicii [Rhetoric and Origins of the European Literary Tradition]. Moscow, 1996, pp. 191–219. (In Russ.)

7. Mikhajlovskij, B.V. Tvorchestvo M. Gorkogo i mirovaja literatura. 1892–1916 [The Work of M. Gorky and World Literature. 1892–1916]. Moscow, 1965. 648 p. (In Russ.)

8. Maxim Gorky: Pro et contra. Anthology. St. Petersburg, 1997. 901 p. (In Russ.)